Movie Mumbai Can Dance Saala
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Mumbai Can Dance Saala: A Controversial Film About The Life Of A Bar Dancer
Mumbai Can Dance Saala is a 2015 Bollywood film written and directed by Sachindra Sharma. The film stars Ashima Sharma, Aditya Pancholi, Shakti Kapoor and Rakhi Sawant in lead roles. The film is loosely based on the life of Tarannum Khan, a former bar dancer who was accused of financing C-grade movies and having links with the underworld.
The film depicts the struggle of a bar dancer named Saala (Ashima Sharma) who dreams of becoming a Bollywood star. She falls in love with a filmmaker (Prashant Narayanan) who promises to launch her in his next project. However, she faces many obstacles from the society, the police and the mafia who want to exploit her. She also has to deal with the jealousy of another bar dancer (Rakhi Sawant) who tries to sabotage her career.
Mumbai Can Dance Saala was released on 2 January 2015 and received negative reviews from critics and audiences alike. The film was criticized for its poor script, direction, acting and music. The film also faced controversy for its portrayal of bar dancers and their lifestyle. The director of the film was slapped by a female artist at the movie launch who claimed to be Rakhi Sawant's friend. She accused him of doing a cheap publicity stunt by using her name.
The film failed to make any impact at the box office and was declared a flop. The film was also banned in some states for its objectionable content. The film is considered to be one of the worst films of 2015 and a mockery of the bar dancers' plight.
The film also claims to expose the reality of the dance bar industry in India, which has been a subject of debate and controversy for decades. Dance bars are public establishments where female dancers perform to entertain male customers who pay them tips. Dance bars emerged in Mumbai in the 1980s and soon became popular among the working class and the elite alike. However, they also faced opposition from various quarters who accused them of promoting obscenity, immorality and crime.
In 2005, the Maharashtra government banned dance bars on the grounds of preserving public order and morality. The ban affected thousands of bar dancers who lost their livelihood and were forced to resort to other means of survival, such as prostitution or begging. Many bar dancers challenged the ban in the courts and argued that it violated their fundamental rights to work, expression and dignity. They also asserted that they were not involved in any illegal or immoral activities and that they were following their traditional occupation with pride and dignity.
The ban was lifted by the Bombay High Court in 2006 and by the Supreme Court in 2013, but the state government continued to impose stringent conditions and restrictions on the licensing and functioning of dance bars. The state government also faced criticism from various quarters for its double standards and hypocrisy, as it allowed dance performances in certain establishments such as hotels and clubs, but not in dance bars. The state government also failed to provide any alternative employment or rehabilitation schemes for the affected bar dancers. 248dff8e21